It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.
Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greekdramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.
Additionally, he did fundamental work in the field of optics, being named the father of modern optics, in particular for his Astronomiae pars optica. He also invented an improved version of the refracting telescope, the Keplerian telescope, which became the foundation of the modern refracting telescope, while also improving on the telescope design by Galileo Galilei, who mentioned Kepler's discoveries in his work. (Full article...)
Castlevania: Dawn of Sorrow is a 2005 action role-playing game developed and published by Konami. It is part of Konami's Castlevaniavideo game series and the first Castlevania game released on the Nintendo DS. The game is the sequel to Castlevania: Aria of Sorrow and incorporates many elements from its predecessor. Dawn of Sorrow was commercially successful. It sold more than 15,000 units in its first week in Japan and 164,000 units in the United States during the three months after its initial release.
Dawn of Sorrow continues the story of Aria of Sorrow: Dracula has been defeated, with his powers assumed by his reincarnation, Soma Cruz. With the help of his allies, Soma avoids becoming the new dark lord. A cult forms to bring forth a new one by killing Soma. Soma and his allies move to ensure that does not happen. (Full article...)
An illustration by Édouard Manet for a French publication of Edgar Allan Poe's narrative poem"The Raven". In the poem, the raven flies into the narrator's home and perches on a bust of Pallas Athena (seen here). The narrator then asks the bird a series of questions, to which the bird only replies, "Nevermore". Eventually, the narrator falls into despair and ends with his final admission that his soul is trapped beneath the raven's shadow and shall be lifted "Nevermore". Originally published in 1845, the poem was widely popular and made Poe famous, though it did not bring him much financial success. "The Raven" has influenced many modern works and is referenced throughout popular culture in films, television, music and more. (POTD)
Authentic Science Fiction was a British science fiction magazine published in the 1950s that ran for 85 issues under three editors: Gordon Landsborough, H.J. Campbell, and E.C. Tubb. The magazine was published by Hamilton and Co. in London and began in 1951 as a series of novels appearing every two weeks; by the summer it became a monthly magazine, with readers' letters and an editorial page, though fiction content was still restricted to a single novel. In 1952 short fiction began to appear alongside the novels, and within two more years it completed the transformation into a science fiction magazine.
Authentic published little in the way of important or ground-breaking fiction, though it did print Charles L. Harness's "The Rose", which later became well-regarded. The poor rates of pay—£1 per 1,000 words—prevented the magazine from attracting the best writers. During much of its life it competed against three other moderately successful British science fiction magazines, as well as the American science fiction magazine market. Hamilton folded the magazine in October 1957, because they needed cash to finance an investment in the UK rights to an American best-selling novel. (Full article...)
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