Myth is a genre of folklore or theology consisting primarily of narratives that play a fundamental role in a society, such as foundational tales or origin myths. For scholars, this is very different from the vernacular usage of the term "myth" that simply refers to something that is not true. Instead, the truth value of a myth is not a defining criterion.
Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many societies group their myths, legends, and history together, considering myths and legends to be true accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Other myths explain how a society's customs, institutions, and taboos were established and sanctified. There is a complex relationship between recital of myths and the enactment of rituals. (Full article...)
In Greek mythology, a satyr (Greek: σάτυρος, translit.sátyros, pronounced[sátyros]), also known as a silenus or silenos (Greek: σειληνός, translit.seilēnós[seːlɛːnós]), and sileni (plural), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality.
In classical Athens, satyrs made up the chorus in a genre of play known as a "satyr play", which was a parody of tragedy and known for its bawdy and obscene humor. The only complete surviving play of this genre is Cyclops by Euripides, although a significant portion of Sophocles's Ichneutae has also survived. In mythology, the satyr Marsyas is said to have challenged the god Apollo to a musical contest and been flayed alive for his hubris. Although superficially ridiculous, satyrs were also thought to possess useful knowledge, if they could be coaxed into revealing it. The satyr Silenus was the tutor of the young Dionysus and a story from Ionia told of a silenos who gave sound advice when captured. (Full article...)
... that the self-decapitated HindugoddessChhinnamasta(pictured) standing on a copulating couple signifies that life, death and sex are interdependent?
... that according to Hindumythology, the "first king" Prithu chased the Earth in the form of a cow(pictured), who eventually agreed to yield her milk as all the world's grain and vegetation?
The unicorn is a legendary creature that has been described since antiquity as a beast with a single large, pointed, spiraling horn projecting from its forehead.
In European literature and art, the unicorn has for the last thousand years or so been depicted as a white horse-like or goat-like animal with a long straight horn with spiralling grooves, cloven hooves, and sometimes a goat's beard. In the Middle Ages and Renaissance, it was commonly described as an extremely wild woodland creature, a symbol of purity and grace, which could be captured only by a virgin. In encyclopedias, its horn was described as having the power to render poisoned water potable and to heal sickness. In medieval and Renaissance times, the tusk of the narwhal was sometimes sold as a unicorn horn. (Full article...)
Image 5The Stone of Destiny (Lia Fáil) at the Hill of Tara, once used as a coronation stone for the High Kings of Ireland (from List of mythological objects)
Image 19As is usual in bestiaries, the lynx in this late 13th-century English manuscript is shown urinating, the urine turning to the mythical stone Lyngurium (from List of mythological objects)
Image 23Opening lines of one of the Mabinogi myths from the Red Book of Hergest (written pre-13c, incorporating pre-Roman myths of Celtic gods): Gereint vab Erbin. Arthur a deuodes dala llys yg Caerllion ar Wysc... (Geraint the son of Erbin. Arthur was accustomed to hold his Court at Caerlleon upon Usk...) (from Myth)
Image 35Lord Vishnu took the form of Beauty Mohini and distributed the Amrita (Ambrosia, Elixir) to Devas. When Rahu (snake dragon) tried to steal the Amrita, his head was cut off (from List of mythological objects)
Image 51This panel by Bartolomeo di Giovanni relates the second half of the Metamorphoses. In the upper left, Jupiter emerges from clouds to order Mercury to rescue Io. (from Myth)
Image 55The Deluge, frontispiece to Gustave Doré's illustrated edition of the Bible. Based on the story of Noah's Ark, this engraving shows humans and a tiger doomed by the flood futilely attempting to save their children and cubs. (from Comparative mythology)
Image 61Several mythical creatures from Bilderbuch für Kinder (lit.'picture book for children') between 1790 and 1822, by Friedrich Justin Bertuch (from Legendary creature)
Image 64Amenonuhoko (天沼矛 or 天之瓊矛 or 天瓊戈, "heavenly jeweled spear") is the name given to the spear in Shinto used to raise the primordial land-mass, Onogoro-shima, from the sea (from List of mythological objects)
Image 83Sampo, a magical artifact of indeterminate type constructed by Ilmarinen that brought riches and good fortune to its holder, in the Finnish epic poetryKalevala (The Forging of the Sampo, Joseph Alanen, 1911) (from List of mythological objects)