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  • Image 22 1930 portrait (aged 36–37) Jessie Stephen, MBE (19 April 1893 – 12 June 1979) was a twentieth-century British suffragette, labour activist and local councillor. She grew up in Scotland and won a scholarship to train as a teacher. Family finances dictated otherwise, leading to her becoming a domestic worker at the age of 15. She became involved in national labour issues as a teenager, via organisations such as the Independent Labour Party and the Women's Social and Political Union. Stephen moved to London during World War I and in the 1920s she toured the United States and Canada, where she held meetings with the public including migrant English domestic workers. Stephen was elected as a local councillor several times and stood as a candidate in general elections. After moving to Bristol in the 1940s she became the first woman president of Bristol Trades Council. She was appointed MBE in 1977 and her life is commemorated by a blue plaque in Bristol. (Full article...)

    1930 portrait (aged 36–37)

    Jessie Stephen, MBE (19 April 1893 – 12 June 1979) was a twentieth-century British suffragette, labour activist and local councillor. She grew up in Scotland and won a scholarship to train as a teacher. Family finances dictated otherwise, leading to her becoming a domestic worker at the age of 15. She became involved in national labour issues as a teenager, via organisations such as the Independent Labour Party and the Women's Social and Political Union. Stephen moved to London during World War I and in the 1920s she toured the United States and Canada, where she held meetings with the public including migrant English domestic workers.

    Stephen was elected as a local councillor several times and stood as a candidate in general elections. After moving to Bristol in the 1940s she became the first woman president of Bristol Trades Council. She was appointed MBE in 1977 and her life is commemorated by a blue plaque in Bristol. (Full article...)
  • Image 23 Kirkandrews Kirk (completed 1906) Kirkandrews, sometimes written as Kirkanders in older documents, is a coastal hamlet about 9 kilometres (6 mi) west-southwest of Kirkcudbright in Dumfries and Galloway, Scotland. It sits in farmland at the head of Kirkandrews Bay, an inlet of Wigtown Bay. The history of Kirkandrews' name is not altogether clear. Some authors have suggested that it was named for a Northumbrian or Irish saint who established a church here in the first millennium; certainly there was an ancient church at the site, but most recent scholarship suggests that both the original church and its name have been lost, and that a new church was built and dedicated to St Andrew, the apostle and patron saint of Scotland, at some point before 1174. (Full article...)

    Kirkandrews Kirk (completed 1906)

    Kirkandrews, sometimes written as Kirkanders in older documents, is a coastal hamlet about 9 kilometres (6 mi) west-southwest of Kirkcudbright in Dumfries and Galloway, Scotland. It sits in farmland at the head of Kirkandrews Bay, an inlet of Wigtown Bay.

    The history of Kirkandrews' name is not altogether clear. Some authors have suggested that it was named for a Northumbrian or Irish saint who established a church here in the first millennium; certainly there was an ancient church at the site, but most recent scholarship suggests that both the original church and its name have been lost, and that a new church was built and dedicated to St Andrew, the apostle and patron saint of Scotland, at some point before 1174. (Full article...)
  • Image 24 Glass Swords is the debut studio album by Scottish producer Russell Whyte under his alias of Rustie, released by Warp in 2011. The album was produced and recorded between 2008 and 2010 by Whyte, partially in his father's home in Glasgow, Scotland and partly in his own home in London, England. The album contains vocal work from Whyte as well as London based producer Nightwave. Glass Swords is a musically diverse album that critics found hard to classify as anything specific other than electronic music. The track "Ultra Thizz" was released as a single in September 2011 before the album's release in October of the same year. Re-worked versions of the songs "Surph" and "After Light" were released as singles in 2012 with new vocalists. The album received critical acclaim and was listed as one of the best albums of 2011 by The Guardian, The Wire and Mixmag and shortlisted for the Scottish Album of the Year Award in 2012. (Full article...)
    Glass Swords is the debut studio album by Scottish producer Russell Whyte under his alias of Rustie, released by Warp in 2011. The album was produced and recorded between 2008 and 2010 by Whyte, partially in his father's home in Glasgow, Scotland and partly in his own home in London, England. The album contains vocal work from Whyte as well as London based producer Nightwave.

    Glass Swords is a musically diverse album that critics found hard to classify as anything specific other than electronic music. The track "Ultra Thizz" was released as a single in September 2011 before the album's release in October of the same year. Re-worked versions of the songs "Surph" and "After Light" were released as singles in 2012 with new vocalists. The album received critical acclaim and was listed as one of the best albums of 2011 by The Guardian, The Wire and Mixmag and shortlisted for the Scottish Album of the Year Award in 2012. (Full article...)
  • Image 25 Manderston House, built in the early twentieth century and one of the last major estate houses built in Scotland Estate houses in Scotland or Scottish country houses, are large houses usually on landed estates in Scotland. They were built from the sixteenth century, after defensive castles began to be replaced by more comfortable residences for royalty, nobility and local lairds. The origins of Scottish estate houses are in aristocratic emulation of the extensive building and rebuilding of royal residences, beginning with Linlithgow, under the influence of Renaissance architecture. In the 1560s the unique Scottish style of the Scots baronial emerged, which combined features from medieval castles, tower houses, and peel towers with Renaissance plans, in houses designed primarily for residence rather than defence. After the Restoration (1660) the work of architect Sir William Bruce introduced to Scotland a new phase of classicising architecture, in the shape of royal palaces and estate houses incorporating elements of the Palladian style. In the eighteenth century Scotland produced some of the most important British architects, including the neo-Palladian William Adam and his innovative son Robert Adam, who rejected the Palladian style and was one of the European initiators of neoclassical architecture, embodied in a series of estate houses in Scotland and England. The incorporation of "Gothick" elements of medieval architecture by William Adam helped launch a revival of the Scots baronial in the nineteenth century, given popularity by its use at Walter Scott's Abbotsford House and Queen Victoria's retreat at Balmoral Castle. In the twentieth century the building of estate houses declined as the influence of the aristocracy waned, and many were taken over by the National Trust for Scotland and Historic Scotland. (Full article...)
    Manderston House, built in the early twentieth century and one of the last major estate houses built in Scotland

    Estate houses in Scotland or Scottish country houses, are large houses usually on landed estates in Scotland. They were built from the sixteenth century, after defensive castles began to be replaced by more comfortable residences for royalty, nobility and local lairds. The origins of Scottish estate houses are in aristocratic emulation of the extensive building and rebuilding of royal residences, beginning with Linlithgow, under the influence of Renaissance architecture. In the 1560s the unique Scottish style of the Scots baronial emerged, which combined features from medieval castles, tower houses, and peel towers with Renaissance plans, in houses designed primarily for residence rather than defence.

    After the Restoration (1660) the work of architect Sir William Bruce introduced to Scotland a new phase of classicising architecture, in the shape of royal palaces and estate houses incorporating elements of the Palladian style. In the eighteenth century Scotland produced some of the most important British architects, including the neo-Palladian William Adam and his innovative son Robert Adam, who rejected the Palladian style and was one of the European initiators of neoclassical architecture, embodied in a series of estate houses in Scotland and England. The incorporation of "Gothick" elements of medieval architecture by William Adam helped launch a revival of the Scots baronial in the nineteenth century, given popularity by its use at Walter Scott's Abbotsford House and Queen Victoria's retreat at Balmoral Castle. In the twentieth century the building of estate houses declined as the influence of the aristocracy waned, and many were taken over by the National Trust for Scotland and Historic Scotland. (Full article...)
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