User:Ekespe

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Hi there!

I am a 26-year old norwegian physicist currently working at Ullevål universitetssykehus, Oslo. I am married to my lovely wife Sigrun, and has a fantastic son named Erlend Markus.

I made my first contribution august 13 2005. My primary interests are music, science (physics and mathematics), language, photography and technology.

My homepage is located here.


Music[edit]

I enjoy different kinds of music, especially genres like jazz, melodious rock, some "old" pop, progressive rock and folk music.

Bands and artist i especially enjoy are

In addition, I try to play and compose music. I have a small set-up at home consisting of a masterkeyboard (Yamaha S80), a sampler (E-mu E4x), a mixer (Eurorack UB1002), a PC with Cubase and a microphone (Behringer B-1).

Science[edit]

At the Department of Physics, University of Oslo, I hold a Bachelor's degree in physics and am currently studying for a Master's degree in biophysics/medical physics.

Other stuff[edit]

In addition, I enjoy watching movies, working with photography, discussing language-related topics, solving Sudoku and in general everything related to natural science.


Picture of the day[edit]

HMS Malabar
HMS Malabar was a 74-gun ship of the line of the Royal Navy, launched in 1818 at Bombay Dockyard. In 1838, Malabar ran aground off Prince Edward Island in British North America and was damaged, with the loss of two crew members. She was refloated later that year and towed into Three Rivers in Lower Canada. In August 1843, Malabar, under the command of Sir George Sartorius, assisted in fighting a fire that destroyed the United States Navy sidewheel frigate USS Missouri at Gibraltar, taking aboard about 200 of that ship's survivors. Malabar was converted to a hulk in 1848, eventually becoming a coal hulk, and was renamed Myrtle in 1883. The hulk was sold out of the navy in 1905. This lithograph from around 1843 shows the crew of Malabar watching as Missouri explodes and burns in the distance.Lithograph credit: Thomas Goldsworthy Dutton, after Edward Duncan and George Pechell Mends; restored by Adam Cuerden

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