This promotional brochure was a promotion for listeners of Chesterfield Supper Club in 1947.
No copyright marks are seen on the brochure.
The brochure and photos can be dated in this manner-From 1944 to 1946, Perry Como hosted the program five nights a week; it was not until 1946, that Jo Stafford joined the show as a host for the Tuesday and Thursday broadcasts. Stafford, like Como, was based in New York; she relocated to California later in 1946. She began hosting from Hollywood in November 1946, with conductor Paul Weston and the vocal group, The Starlighters. The brochure shows Lloyd Shaffer as the conductor in New York; he held that position with the program from New York from 1945 to 1948, when he was replaced by Mitchell Ayres. The Satisfiers vocal group also worked with the show from New York and continued to do so until 1948, when they were replaced by The Fontane Sisters. Hollywood conductor Paul Weston and the Starlighters vocal group are also pictured. Martin Block was the program's announcer from New York except for 1947, when he accepted a one year contract to work on the West Coast. During that year, Block was the announcer for the Hollywood broadcasts, returning to announcing for the show in New York after that point. He is shown as being in Hollywood in the brochure. Peggy Lee, who began hosting the Thursday broadcast in 1948, also worked from Hollywood with conductor Dave Barbour; neither are shown or mentioned in the material.
The dating makes the item well within the pre-1978 timeframe. The show left radio and television in 1950, when Perry Como move from NBC to CBS for a five year period.
The promotional packet was created for distribution to the radio show's listeners to induce regular listening and also to promote the Chesterfield brand of cigarettes.
The original photos show damage to the item from folding; this was fixed. The photos were edited, resized, and combined to produce this file.
A copyright search for Chesterfield turns up nothing which would pertain to the radio and television show(s) or its promotional materials.
There is no evidence a copyright is claimed on this item.
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This work is in the public domain in the United States because it was published in the United States between 1929 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.